Grammy Awards of 2002

The 44th Grammy Awards were held in 2002. They recognized accomplishments by musicians from the previous year.

• Record of the Year
  • Steve Lillywhite[?] (engineer/mixer), Brian Eno & Daniel Lanois (producers) for "Walk On" performed by U2

• Album of the Year
  • Peter Kurland[?] (engineer/mixer), Gavin Lurssen[?] (engineer) & T Bone Burnett (producer) for O Brother, Where Art Thou? performed by Various Artists

• Song of the Year
  • Alicia Keys for "Fallin'"

• Best New Artist
  • Alicia Keys

Special Merit Awards

• Lifetime Achievement Award[?]
  • The Beach Boys, Tony Bennett, Sammy Davis Jr., Bob Marley, The Who

• Trustees Award[?]
  • Arif Mardin[?], Phil Ramone[?]

• Tech Award[?]
  • Les Paul, Digidesign[?]

Alternative

• Best Alternative Music Performance
  • Michael H. Brauer[?] (engineer), Chris Martin[?], Guy Berryman[?], Jon Buckland[?], Ken Nelson[?] & Will Champion[?] (producers) for Parachutes[?] performed by Coldplay

Blues

• Best Traditional Blues Album or Recording[?]
  • Jared Tuten[?], John P. Hampton[?] (engineers) & Jimmie Vaughan[?] (producer) for Do You Get the Blues?[?] performed by Jimmie Vaughan[?]
• Best Contemporary Blues Album or Recording[?]
  • Gary Nicholson[?] (producer) for Nothing Personal[?] performed by Delbert McClinton[?]

Children's

• Best Musical Album for Children[?]
  • Ric Wilson[?] (engineer) for Elmo & the Orchestra performed by Characters from Sesame Street
• Best Spoken Word Album for Children[?]
  • Rory Young[?] (engineer) & Arnold Cardillo[?] (producer) for Mama Don't Allow[?] peformed by Tom Chapin[?]

Classical

• Best Classical Album[?]
  • Simon Rhodes[?] (engineer) & the London Symphony Orchestra for Berlioz: Les Troyens[?] performed by the London Symphony Orchestra conducted by Sir Colin Davis
• Best Classical Orchestral Performance[?]
  • Karl-August Naegler[?] (producer) for Boulez Conducts Edgar Varèse (Amériques; Arcana; Déserts; Ionisation) performed by the Chicago Symphony Orchestra conducted by Pierre Boulez
• Best Opera Recording[?]
  • Simon Rhodes[?] (engineer) & the London Symphony Orchestra for Berlioz: Les Troyens[?] performed by the London Symphony Orchestra conducted by Sir Colin Davis
• Best Choral Performance, Classical[?]
  • Martin Sauer,producer for Bach: St. Matthew Passion[?] performed by Nikolaus Harnoncourt, Norbert Balatsch[?] & Oliver Wi[?]
• Best Classical Performance-Instrumental Soloist(s) (with orchestra)[?]
  • Martin Fouqué,producer for Richard Strauss Wind Concertos (Horn Concerto; Oboe Concerto, Etc) performed by Daniel Barenboim, Dale Clevenger[?], Larry Combs[?], David McGill[?] & Alex Klein[?]
• Best Classical Performance-Instrumental Soloist(s) (without orchestra)[?]
  • Truls Mork[?] for Benjamin Britten Cello Suites (1 - 3)
• Best Chamber Music Performance[?]
  • Joanna Nickrenz[?] (producer) for Joseph Haydn: The Complete String Quartets performed by The Angeles String Quartet[?]
• Best Classical Vocal Performance[?]
  • Christopher Raeburn[?] (producer) for Dreams & Fables - Gluck Italian Arias (Tremo Gra' Fubbi Miei; Die Questa Cetra In Seno, Etc.) performed by Cecilia Bartoli[?]
• Best Classical Contemporary Composition[?]
  • Christopher Rouse[?] (composer) for Concert De Gaudí For Guitar And Orchestra performed by Sharon Isbin and the Gulbenkian Orchestra conducted by Muhai Tang[?]
• Best Small Ensemble Performance (with or without conductor)[?]
  • Gidon Kremer[?] & Helmut Mühle[?] (producers) for After Mozart performed by Gidon Kremer[?] & Kremerata Baltica[?]
• Best Classical Crossover Album[?]
  • Robert Battaglia[?] (engineer), Béla Fleck & Edgar Meyer[?] (producers) for Perpetual Motion[?] performed by Béla Fleck, Edgar Meyer[?], Joshua Bell[?], John Williams, Evelyn Glennie[?] & Various

Composing and arranging

• Best Instrumental Composition (other than Jazz)[?]
  • Alan Silvestri[?] for Cast Away (End Credits)
• Best Instrumental Composition Written Specifically for a Motion Picture or for Television[?]
  • Xu Gou Qin[?] (engineer), Steven Epstein[?] & Tan Dun[?] (producers) for Crouching Tiger, Hidden Dragon
• Best Song Written Specifically for a Motion Picture or Television[?]
  • John Linnell (songwriter) for "Boss of Me" (Malcolm in the Middle[?]) performed by They Might Be Giants
• Best Instrumental Arrangement[?]
  • Béla Fleck & Edgar Meyer[?] (arrangers) for "Claude Debussy: Doctor Gradus Ad Parnassum" performed by Béla Fleck with Joshua Bell[?] & Gary Hoffmann[?]
• Best Instrumental Arrangement Accompanying Vocalist(s)[?]
  • Paul Buckmaster[?] (arranger) for "Drops of Jupiter" performed by Train[?]

Country

• Best Female Country Vocal Performance[?]
  • Dolly Parton for "Shine"
• Best Male Country Vocal Performance
  • Ralph Stanley[?] for "O Death"
• Best Country Performance by a Duo or Group with Vocal[?]
  • Alison Krauss & Union Station[?] for "The Lucky One"
• Best Country Collaboration with Vocals[?]
  • Pat Enright[?] for "I Am a Man of Constant Sorrow" performed by The Soggy Bottom Bows[?] (Dan Tyminski[?], Harley Allen[?], Pat Enright[?])
• Best Country Instrumental Performance[?]
  • Leon Russell[?], Marty Stuart[?], Paul Shaffer, Randy Scruggs[?], [[\]] & Vince Gill[?] for "Foggy Mountain Breakdown" performed by Earl Scruggs, Gen Duncan[?], Randy Scruggs[?], Steve Martin[?], Vince Gil[?], Marty Stuart[?], Gary Scruggs[?], Albert Lee[?], Paul Shaffer, Jerry Douglas & Leon Russell[?]
• Best Country Song
  • Robert Lee Castleman[?] (songwriter) for "The Lucky One" performed by Alison Kraus & Union Station[?]
• Best Country Album
  • Bonnie Garner[?], Luke Lewis[?] & Mary Martin (producers) for Hank Williams Tribute performed by Various Artists
• Best Bluegrass Album[?]
  • Gary Paczosa[?] (engineer), Alison Krauss[?], Barry Bales[?], Dan Tyminski[?], Jerry Douglas & Ron Block[?] (producers) for New Favorite[?] performed by Alison Krauss & Union Station[?]

Film/TV/Media

• Best Soundtrack Album
  • Peter Kurland[?] (engineer) for 'O Brother, Where Art Thou? performed by Various Artists

Folk

• Best Traditional Folk Album incl. Best Ethnic or Traditional Folk Recording/Best Ethnic or Traditional Folk Recording[?]
  • Mike Piersante[?] (engineer) for Down from the Mountain[?] performed by Various Artists
• Best Contemporary Folk Album incl. Best Ethnic or Contemporary Folk Recording[?]
  • Chris Shaw[?] (engineer) & Bob Dylan (producer) for Love and Theft performed by Bob Dylan
• Best Native American Music Album[?]
  • Jack Miller[?] (engineer), Giuli Doyle[?] & Robert Doyle[?] (producers) for Bless the People - Harmonized Peyote Songs[?] performed by Verdell Primeaux[?] & Johnny Mike[?]

Gospel

• Best Rock Gospel Album incl. Best Rock/Contemporary Gospel Album[?]
  • dc Talk for Solo[?]
• Best Pop/Contemporary Gospel Album[?]
  • Steve Bishir[?] (engineer) & Brown Bannister[?] (producer) for CeCe Winans[?] performed by CeCe Winans[?]
• Best Southern, Country or Bluegrass Gospel Album[?]
  • Chad Evans[?] (engineer) & Bill Gaither[?] (producer) for Bill & Gloria Gaither Present A Billy Graham Music Homecoming[?] performed by Bill & Gloria Gaither & the Homecoming Friends[?]
• Best Traditional Soul Gospel Album[?]
  • Jimmy Hoyson[?], Larry Hirsch[?] (engineers) & John Chelew[?] (producer) for Spirit of the Century[?] performed by the Blind Boys of Alabama[?]
• Best Contemporary Soul Gospel Album[?]
  • Benjamin J. Arrindell[?], Biff Dawes[?] & Derek Lewis[?] (engineers) for The Experience[?] performed by Yolanda Adams[?]
• Best Gospel Choir or Chorus Album[?]
  • John Jaszcz[?] (engineer) for Love Is Live![?] performed by Hezekiah Walter[?] & the LFT Church Choir[?]

Historical

• Best Historical Album[?]
  • Ken Robertson[?], Mark Wilder[?], Matt Cavaluzzo[?] & Seth Foster[?] (engineers) for Lady Day: The Complete Billie Holiday On Columbia 1933-1944 performed by Billie Holiday

Jazz

• Best Contemporary Jazz Performance, Instrumental - Also cont. Jazz Performance Vocal or Instrumental[?]
  • Khaliq-O-Vision[?], Ray Bardani[?] (engineers), David Isaac[?] & Marcus Miller (producers) for M<sum>[?] performed by Marcus Miller
• Best Jazz Vocal Album[?]
  • Erik Zobler[?] (engineer) & George M. Duke[?] (producer) for The Calling[?] performed by Dianne Reeves[?]
• Best Jazz Instrumental Performance, Soloist[?]
  • Michael Brecker[?] for "Chan's Song"
• Best Instrumental Jazz Performance, Individual or Group[?]
  • Troy Halderson[?] (engineer), Lucille Rollins[?] & Sonny Rollins (producers) for This Is What I Do[?] performed by Sonny Rollins
• Best Large Jazz Ensemble Performance[?]
  • Tom Jung[?] (engineer), Bob Mintzer[?] & Tom Jung[?] (producers) for Home to Count Basie performed by the Bob Mintzer Big Band[?]
• Best Latin Jazz Performance[?]
  • Jay Newland[?] (engineer), Charlie Haden[?] & Gonzalo Rubalcaba[?] (producers) for Nocturne[?] performed by Charlie Haden[?]

Latin

• Best Latin Pop Performance[?]
  • Joe Reyes[?], Michael Morales[?],Ronald Morales[?] (engineers & producers) for La Musica De Baldemar Huerta[?] performed by Freddy Fender[?]
• Best Tropical Latin Performance[?]
  • Sebastian Krys[?] (producer) for Dejame Entrar[?] performed by Carlos Vives
• Best Mexican-American/Tejano Music Performance[?]
  • Freddie Martinez, Jr[?], (engineer and producer), Greg Garcia[?] (engineer) & Ramón Ayala[?] (producer) for En Vivo...El Hombre Y Su Musica[?] performed by Ramón Ayala y Sus Bravos Del Norte[?]
• Best Latin Rock/Alternative Performance[?]
  • Ozomatli[?] for Embrace the Chaos[?]
• Best Tejano Music Performance[?]
  • Ramiro Serna, Jr[?] (engineer), Amado Garza, Jr[?], Ben De León[?], Medardo Garza[?], Otoniel Peña Jr[?] & Rolando Benavidez[?] (producers) for Nadie Como Tu[?] performed by [Solido]]
• Best Salsa Performance[?]
  • Gustavo Celis[?], Ricky Blanco[?] (engineers) & Robert Blades[?] (producer) for Encore[?] performed by Robert Blades[?]
• Best Merengue Performance[?]
  • Eric Schilling[?] (engineer) & Olga Tañon[?] (producer) for Yo Por Tí[?] performed by Olga Tañón[?]

Musical Show

• Best Musical Show Album[?]
  • Cynthia Daniels[?] (engineer) for The Producers performed by the Broadway cast (including Nathan Lane[?], Matthew Broderick)

Music Video

• Best Music Video, Short Form[?]
  • Spike Jonze (director), Deannie O'Neil[?], Vincent Landay[?] (producers), Bootsy Collins & Fatboy Slim for "Weapon of Choice" performed by Fatboy Slim featuring Bootsy Collins
• Best Music Video, Long Form[?]
  • Susan Froemke[?] (director & producer) & Peter Gelb[?] (producer) for Recording the Producers - A Musical Romp with Mel Brooks performed by Mel Brooks (and others)

New Age

• Best New Age Album[?]
  • Nicky Ryan[?] (engineer & producer) for A Day Without Rain[?] performed by Enya

Packaging and Notes

• Best Album Package - Incl. Album Cover, Graphic Arts, Photography[?]
  • Tchocky[?] (art director) for Amnesiac (Special Limited Edition)performed by Radiohead
• Best Recording Package - Boxed[?]
  • Steve Vance[?] (art director) for Brain in a Box - The Science Fiction Collection performed by Various Artists
• Best Album Notes[?]
  • Elijah Wald[?] (notes writer) for Arhoolie Records 40th Anniversary Collection: 1960-2000 The Journey Of Chris Strachwitz performed by Various Artists
  • Walter Mosley[?] (notes writer) for Richard Pryor...And It's Deep Too! The Complete Warner Bros. Recordings (1968-1992) performed by Richard Pryor

Polka

• Best Polka Album[?]
  • Jim Uzwack[?] (engineer), Jimmy Sturr, Kenneth R. Irwin[?] & Tom Pick[?] (engineers & producers) for Gone Polka[?] performed by Jimmy Sturr

Pop

• Best Female Pop Vocal Performance
  • Nelly Furtado for "I'm Like a Bird"
• Best Male Pop Vocal Performance
  • James Taylor for "Don't Let Me Be Lonely Tonight"
• Best Pop Performance by a Duo or Group with Vocal
  • U2 for "Stuck in a Moment You Can't Get Out Of"
• Best Pop Collaboration with Vocals[?]
  • Pink for "Lady Marmalade" performed by Christina Aguilera, Lil' Kim, Mya[?] & Pink
• Best Pop Instrumental Performance[?]
  • Eric Clapton for "Reptile"
• Best Pop Vocal Album[?]
  • Mike Pela[?] (engineer & producer) & Sade Adu (producer) for Lovers Rock performed by Sade
• Best Dance Recording[?]
  • Steve Hodge[?] (mixer), Janet Jackson, Jimmy Jam[?] & Terry Lewis[?] (producers) for "All For You" performed by Janet Jackson
  • Best Pop Instrumental Album[?]
  • Steve Vai (engineer & producer), Yoshiyasu Kumada[?] (engineer) & Steven Lukather[?] (producer) for No Substitutions - Live in Osaka[?] performed by Larry Carlton[?] & Steve Lukather[?]

Production and engineering

• Best Engineered Recording, Non-Classical[?]
  • Al Schmitt[?] (engineer) for The Look of Love[?] performed by Diana Krall[?]
• Producer Of The Year, Non-Classical[?]
  • T Bone Burnett
• Best Classical Engineered Recording[?]
  • Joshua Bell[?] for Bernstein (Arr. Brohn & Corigliano): West Side Story Suite (Lonely Town; Make Our Garden Grow, Etc.)
• Classical Producer Of The Year[?]
  • Manfred Eicher[?]
• Best Remixed Recording , Non-Classical[?]
  • Deep Dish (remixer) for "Thank You" (Deep Dish Vocal Remix) performed by